Michiko Tsuda

King the Oedipus — Free Indirect Speech uses the frames, mirrors and a movie from my family's first video camera shot in 1988. Three movies, that old family movie, other movie of my mother and me watching that old movie in 2014 and another interview movie with my mother, was projected on some frames configured in a space. It was an experiment of how each image which has similar resources but different process re-act in the same space. I built up a hypothesis that a camera is mother of image. With my parents and myself in those image, it was a visual closed-circuit.